The car design
community has recently suffered a great loss with the
passing away of Alfa Romeo’s former chief stylist Ermanno
Cressoni. After having battled cancer for thirteen months,
Cressoni finally lay to rest on Thursday 30th June in Milan.
Affectionately
referred to as ‘Arch’ by many of his designers at Alfa Romeo
Centro Stile, Cressoni was responsible for a new direction
of Alfa Romeo styling which can still be seen today in
Alfa’s latest 159 and Brera. His success as a designer at
Alfa Romeo and later at Fiat is often overlooked, most
probably due to Cressoni’s team spirit which resulted in him
cultivating talents such as Walter de Silva, Andreas
Zapatinas and Chris Bangle.
At Centro Stile
Alfa Romeo, Cressoni started by aiding in the design process
of many legendary racing Alfa’s from the late ‘60s and early
‘70s. He is also identified as the designer behind the
famous GTV grille dating from the early ‘70s.
Becoming Alfa
Romeo Centro Stile Director in the ‘70s, Cressoni directed
the styling of the Alfetta berlina and later implemented a
new direction of sharp-edge styling referred to as ‘La Linea’.
This sharp edge ‘line’ resulted in the Giulietta from 1977,
the highly successful Alfa 33 hatchback and perhaps
Cressoni’s best work, the stunning Alfa 75 from 1985.
Developed under the supervision of Domenico Chirico, the
Alfa 75 had to be a true sports sedan without looking too
aggressive or having a racy appearance. Cressoni implemented
the ‘quality first’ philosophy whilst designing the Alfa 75,
a project codenamed K-1 during its development phase.
|
|
Ermanno Cressoni's success as a designer at Alfa Romeo and later at
Fiat is often overlooked, most probably due to his
team spirit which resulted in him cultivating
talents such as Walter de Silva,
Andreas Zapatinas and
Chris Bangle |
|
|
|
The car design
community has recently suffered a great loss with the
passing away of Alfa Romeo’s highly influential and popular former chief
design stylist Ermanno
Cressoni |
|
|
In 1986, Cressoni became director at Fiat Centro Stile
and he went on to direct the design team that
spawned the brilliant Cinquecento, the radical Alfa
145 (above), the stunning Fiat Coupé, the beautiful
Fiat Brachetta, and the Bravo and
Brava |
|
For the first time at Alfa Romeo, Computer Aided Design
(CAD) was implemented. Extensive CAD modelling was used for
the overall design and structural modelling. Great attention
was paid to anti-corrosion and interior materials.
After Fiat’s
take over of Alfa Romeo over in 1986, Cressoni became
director at Fiat Centro Stile. He directed the design team
that spawned the brilliant Cinquecento, the radical Alfa
145, the stunning Fiat Coupé, the beautiful Fiat Barchetta -
which has recently ceased production - and the successful Bravo
and Brava. In his later years, Cressoni oversaw projects at
the IAAD in Turin, the latest project being ‘FIAT: a car for
a friend’ in 2000.
|
|
|