Last 
						week the story broke that a new-generation Lancia 
						Stratos appeared to be in the development stage, and two 
						grainy photographs showed a pre-production prototype in 
						action at the Fiat Group’s Balocco test track near 
						Milan; now more detail of this ambitious project is 
						emerging, including the news in recent days that Bertone 
						and Pininfarina both presented designs.
						The Stratos was one of 
						Lancia's most iconic cars, no mean feat from a 
						century-old brand with a history littered with 
						masterpieces, and it was a model that dramatically 
						embodied the firm's historic values of fusing 
						cutting-edge technology, innovation, and styling trends. 
						In designing the Stratos for Lancia, Bertone was well 
						ahead of the curve, Marcello Gandini penning a car that 
						was so futuristic it still looks fresh and sharp today. 
						To reinterpret the legend of the Stratos is a very 
						difficult and tricky task, and Italiaspeed 
						understands that in the unrelenting quest to create the 
						right successor, no less than three Italian design 
						houses fought tooth-and-nail over the brief, each 
						submitting detailed proposals. Hinting at a project 
						which appears to have significant funding as well as 
						production aspirations, all the proposals were developed 
						to full-size models before a choice was made.
						Italiaspeed 
						believes the design eventually chosen to go forward was 
						the work penned by Jason Castriota during his stint as 
						Design Director of Stile Bertone last year. New 
						York-born Castriota has emerged over the last 
						half-decade as one of the most creative designers of his 
						generation, but importantly, he is probably the leading 
						light in the world today in the field of low-volume and 
						exclusive one-off cars, where achieving the highest 
						possible standard, rather than compromise imposed by 
						financial constraints, is the primary benchmark to 
						adhere to.
						During his successful 
						career at Pininfarina, Castriota rose from an intern to 
						become Head Designer of Special Projects. During that 
						tenure he created a number of special exclusive cars 
						that spanned a wide spectrum of briefs. Arguably the 
						most stunning of these was the eye-catching Maserati 
						Birdcage 75th, a futuristic prototype built on the 
						underpinnings of the Maserati MC12 supercar to celebrate 
						the design house’s seventy-fifth anniversary. 
						Pininfarina also took the whole design idea forward from 
						being just an extravagant one-off show car and explored 
						the potential of turning out a limited production run, 
						although in the end, this project was not given the 
						green light.
						While the Trident-badged 
						prototype reinterpreted that marque’s historically 
						significant ‘Birdcage’ racer, the Italian-American 
						designer also brought to the fore a modern take on 
						another famous track legend, Ferrari's P3/4, in a 
						project commissioned by an American collector. Following 
						up this racetrack inspiration with a move to the serene 
						and elegant, Castriota then put his name to the 
						coachbuilt Rolls Royce Hyperion, an opulent ‘tourer’ 
						which looked to revive a long-forgotten era of opulent 
						motoring glamour. During this period, Castriota also 
						crafted the unique 612 ‘Kappa’ for another American 
						collector.
						
						Along the way, moreover, Castriota turned his well-honed 
						styling skills to Maserati's GranTurismo and Ferrari's 
						599 GTB Fiorano, both of which have established 
						themselves as definitive sports car designs of their 
						generation. Castriota quit Pininfarina in the autumn of 
						2008 to make the short hop across the city of Turin to 
						Stile Bertone on December 1, the studio then being 
						revived under the direction of Lilli Bertone's daughter 
						Marie-Jeanne. During his stint at Bertone, Castriota 
						created the highly distinctive – and highly futuristic – 
						Mantide, another one-off sports car, this one using 
						underpinnings evolved from the Chevrolet Corvette.
						For 
						the Stratos project, Castriota has drawn on his 
						considerable knowledge bank to create a new-generation 
						design that retains the original Stratos' DNA, but 
						reinterprets it four decades on. The whole project has 
						apparently taken around four years to bring to the stage 
						of a pre-production prototype, and it is understood 
						Castriota designed the car during his tenure at Bertone 
						last year, which will neatly mean that the famous 
						Italian design firm's name is associated with the 
						evocative sports car once again – a fact that will hold 
						great poignancy for Lancisti. It was in 1970 that 
						Bertone shocked the auto industry with the prototype 
						‘Stratos Zero’, stunning all over again a year later 
						with their follow-up, the luridly-coloured Stratos HF – 
						a prototype Lancia proudly announced would head straight 
						for production. Now, history has now come full circle, 
						with the new model once again being penned by the 
						world-renowned design house.
						It 
						would appear that Castriota isn't involved with the 
						final stages of the project, as in June he was appointed 
						Design Director at Saab, which was recently bought by 
						niche Dutch sports car maker Spyker. Reporting directly 
						to Saab Automobile CEO Jan-Åke Jonsson, he has a mammoth 
						task in hand as the Swedish company unpicks itself from 
						former owner General Motors and attempts to arrest 
						further declines in its sales.
						The 
						images in circulation of the new Stratos are of a car 
						very much in the traditional Bertone styling mould, and 
						betray many of Castriota’s trademark cues in the finer 
						details. Most notably, these are reflected in the hints 
						of the sharp, futuristic, but carefully-integrated lines 
						of the Mantide, which he was penning at around the same 
						time, while the wheels are reminiscent of the rim design 
						he created for the Ferrari P4/5. The use of LEDs in the 
						lighting is another cutting-edge detail that Castriota 
						is noted for.
						
						Moreover, a further link between Castriota and the 
						Stratos project is provided by his design sketch of the 
						Lancia sports car that was recently published by Japan’s 
						‘Rosso’ magazine. Italiaspeed has also acquired a 
						thumbnail-sized image of the full scale model developed 
						by Bertone as it bid to get the brief, although the poor 
						resolution makes it difficult to draw too many 
						conclusions. Parenthetically, it is worth noting that 
						this year is the fortieth anniversary of the unveiling 
						of the Stratos Zero, making it an appropriate milestone 
						to reveal a successor.