For its occasion of its 80th anniversary, which has 
						kicked off this week, Pininfarina has given itself an all-new 
						"Collection", 
the result of a restyling project by the Pininfarina Extra team. The Collection 
is the true custodian of the company’s values, and the "visiting card" with 
which Pininfarina will present itself to guests, the place where past, present and 
future blend, conveying to visitors all the magic of the Pininfarina brand.
					
						 
					
						It 
has been updated as part of the company strategy to raise the prestige of the 
brand even higher. The cars on display are among the most significant of the 
hundreds that have written the company’s history, from the Cisitalia to the 
						Alfa Romeo 
Giulietta Spider, the Sigma Grand Prix prototype and the Maserati Birdcage 75th. At the 
centre, the star of the exhibition, is Pininfarina’s latest creation: the 
2uettottanta, a 2-seater open sports car that was presented at the 2010 Geneva 
Motor Show. 
The layout of the main exhibition has been rearranged to enable visitors to 
really appreciate the design excellence that has made the Pininfarina name 
famous the world over. New interactive display panels link the milestones of the 
past and project them into the future, with the perspective vision typical of a 
company that is eminently innovative and creative. 
A show window enables visitors to admire articles designed expressly for fans of 
the Pininfarina brand. This display contains awards won by the company, 
publications that illustrate the company’s history and products, and some of the 
items designed recently for its clients by Pininfarina Extra, but also articles 
that are exclusive to the Collection. 
The Pininfarina Collection reflects the evolution of the company from its 
foundation to the present day, constantly aware of its roots and of the culture 
of its products and quality. The Collection includes about forty important 
models from the 1940s to the present, exhibited on a rotation basis, in a space 
that is deliberately kept small to highlight the quality rather than the 
quantity of the items on show: it is a selection of historical cars, one-off 
models, small production runs and mass-produced models, styling models and 
research prototypes, each with a specific creative, technical and industrial 
significance.
					
						 
					
						Some examples include the Cisitalia 202 Berlinetta of 1947, marking the 
international consecration as a designer of the Founder “Pinin” Farina, and the 
first car in the world to become a permanent exhibit in a Modern Art Gallery, 
the MOMA of New York; the Lancia Florida II of 1957, the Founder’s personal car 
for almost ten years up to his death; the Alfa Romeo Giulietta Spider of 1954, 
the car which, more than any other, represents the watershed between 
Pininfarina’s artisan past and industrial present; the Fiat 124 Sport Spider, 
which immediately became one of Pininfarina’s most successful cars, as in the 
						end 200,000 examples were 
built, while it exported to America on a large scale; the Maserati Birdcage 75th, a 
prototype developed jointly with Maserati and Motorola for Pininfarina’s 75th 
anniversary, which was voted the “Best Concept” by the American magazine 
Autoweek, included on the Forbes list of the ten “coolest concept cars” of 2005 
and winner of the Louis Vuitton Classic Concept Award in 2005. The display also 
includes the styling models for the most recent projects created by Pininfarina 
for prestigious clients, like the Ferrari 458 Italia and Maserati GranCabrio.
The rotation of the models is not due solely to the inevitable need to maintain 
the cars and the desire to periodically update the message of the display; it is 
also a response to the continuous requests that come in from all over the world 
for cars to participate in cultural events in the design field, and automotive 
events in particular. For example, the Sintesi of 2008, is currently the star of 
an exhibition in Belgium, while the Ferrari P6 is about to leave for Korea.