The colour red has been 
						used to identify Italian cars and drivers since the very 
						earliest days of motor racing. After sponsor-inspired 
						liveries were introduced to Formula 1 in the 1960s, 
						Ferrari remained the only constructor to stick with 
						tradition and continue to clothe its single-seaters 
						exclusively in the classic red. Consequently, its 
						production cars and sports cars were identified with 
						that colour for quite some time thereafter. In fact, 
						there was a saying around Modena that went cinc sghei 
						püssè ma russ (a few liras more so long as it’s 
						red). For a long while, red was seen as the almost 
						obligatory colour choice for Ferrari owners. In fact, 
						during the early 1990s, 85 per cent of all Ferraris 
						built sported red liveries.  
						 
						That dynamic has now changed radically, and clients can 
						choose from a vast range of colours and types. 
						Purchasing a Ferrari is an exclusive experience, the 
						first step of which is, of course, choosing the bodywork 
						colour. This is one of the personalisation areas that 
						has developed rapidly in the last few years, not merely 
						in terms of the number of colours available but also the 
						technologies used.  
						 
						Of late, there has been something of a surge in the 
						popularity of two-tone liveries – as the name implies, 
						these usually involve two contrasting colours being 
						used, one for the roof and the other for the bodywork. 
						Two-tone liveries were extremely fashionable in the past 
						too, the most notable example being the 1957 250 GT. 
						This beautiful sports car has a white body and a green 
						roof, and won the 2009 Villa d’Este and the 2010 Palm 
						Beach Cavallino Classic Concours d’Elegance amongst 
						other high-profile classic car plaudits. Ferrari has 
						been offering its clients the option of two-tone 
						liveries for several years now, a choice that 
						underscores both the elegance of its GTs and the power 
						and aggression of its extreme sports cars.  
						 
						Ferrari doesn’t just use technology to build cars that 
						are increasingly powerful and exciting to drive. It also 
						applies its high tech skills to “clothing” them. The 
						Prancing Horse recently developed and introduced an 
						advanced painting technique that lends its cars an even 
						glossier sheen than ever. In the so-called “three-layer” 
						technique, the paint is applied in three separate coats 
						to give the bodywork a deeper, more vibrant colour than 
						a traditional metallic one could achieve. The paintwork 
						also has an iridescent finish that comes to the fore 
						when sunlight catches it from various angles. When this 
						three-layer technique is used with a two-tone livery, 
						the result is extremely striking and adds even more 
						character to any Ferrari.  
						 
						That is still not the end of the livery story, however, 
						as Maranello’s personalisation programmes also ensure 
						clients have yet another option available to them: the 
						possibility of providing a colour sample from which 
						their car’s paintwork will be copied. This colour sample 
						can be taken from any item the client owns or is very 
						much attached to. It’s a very popular option indeed now 
						and really does mean that the colour choices for 
						Ferraris are truly unlimited.  
						 
						Since 2004, the Ferrari complex in Maranello has been 
						home to a sophisticated water-based paint facility which 
						allowed the Prancing Horse to comply with new EU 
						emissions and energy reduction requirements three years 
						in advance of their introduction. Ferrari also 
						simultaneously launched a special research project 
						focused on extending the colour range to meet the 
						increasingly sophisticated and diverse requests of its 
						clients. By combining leading-edge application 
						techniques with invaluable materials retrieved from the 
						company archives, Ferrari can now also offer a unique 
						catalogue of 10 sophisticated and exclusive “historic” 
						colours inspired by the classic cars of the 1950s and 
						60s. That list includes evocative names of the likes of 
						Blu Scozia, a chic dark pastel blue typically sported by 
						cars competing in the Tourist Trophy, Avio Met, a 
						bright, ultra-sporty blue, and Vinaccia, a colour that 
						brims with character and personality.  
						 
						Contemporaneously, Ferrari also began making what it 
						calls its “Challenge” liveries. These mimic the 
						paintwork stripes sported by covered-wheel racing cars. 
						First launched as a signature look for the 430 Scuderia, 
						the Challenge liveries were an instant hit for all the 
						mid-rear-engined sports cars, and now encompass 
						everything from the stripes inspired by classic racing 
						cars used to help identify the various drivers 
						competing, to the Italian tricolour. The latter 
						solution, in fact, has captured the imaginations of our 
						clients abroad who choose it to underscore the Italian 
						character and quality of their cars.  
						 
						Ferrari created its personalisation programme to offer 
						clients all over the world a vast array of options that 
						would ensure their cars were truly unique. Thanks to the 
						tens of thousands of possible combinations it affords, 
						it is now genuinely is the case that no two Ferraris are 
						identical.  
						 
						As a result of these developments, the cars constructed 
						by Ferrari now come in an unprecedented variety of 
						colours. Needless to say, traditional red continues to 
						predominate, accounting for about 45 per cent of all 
						cars built over the last few years. That aside, however, 
						the colour choices being made by owners have diversified 
						radically in that same period. Special order finishes, 
						for instance, went from just 1 per cent of output in the 
						early 2000s, to over 10 per cent in 2010. The message 
						being, of course, that it doesn’t have to be red to be a 
						Ferrari anymore.  
 
						
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