The biggest draw on the
Fiat Automobiles stand at the 81st Geneva Motor Show is
undoubtedly the Mefistofele, a stunning Fiat SB4 Corsa based land speed
car that shattered the world record in 1924 in the hands
of Sir Ernest Eldridge. The story behind the car is
almost as fantastic as the parts out of which it was
built, a reminder that the Fiat name once stood for
winning ability in any competitive arena, either up
against against all coming rivals or versus the ticking
hand of the clock.
At the Geneva Palexpo the
Mefistofele is being showcased alongside the Fiat 500
TwinAir, cars that are nearly a century apart, but also
worlds apart, the 900cc 500 TwinAir has an engine almost
21 litres smaller than the Mefistofele and while the
historic land speed record car emits around 3,200 g/km
of CO2, the TwinAir puffs out just 95 g/km.
The story of this
racing car is quite simply amazing.
The Mefistofele – so
called due to the bangs and puffs of smoke that it
emitted when beating the world speed record – is based
on the chassis of a 1908 Fiat SB4 Corsa racer, no mean
machine itself as it boasted an 18-litre engine which
was made up of two interconnected units. Legend has it
that the car's owner in 1922, by which time the machine
was well worn and at the end of its racing life, John
Duff, suffered one of the most spectacular engine
failures ever seen at Brooklands with chucks of the
cylinder block as well as the bonnet and other sundry
parts all heading in different directions.
With Duff then turning
his hand to racing Bentleys, into the story comes one
Sir Ernest Arthur Douglas Eldridge, a colourful
character of some eccentricity as befitting the period;
he bought the shattered car. Eldridge, who was born into
a wealthy London family, came to the conclusion that the
'standard' engine at 18 litres was somewhat too small,
no surprise as he had already shocked spectators at
Brooklands by turning up with a 1907 Isotta-Fraschini
with a stretched chassis fitted with a 20.5-litre
Maybach unit. Eldridge had already raced a 10-litre Fiat
with much success. In his pursuit of more power Eldridge
laid his hands on a 21.706 litre six-cylinder Fiat A-12
"Bis" engine which had 260 HP and was used in aircraft
including airships and bombers.
To fit this monster of
an engine into the car he had to lengthen the chassis,
and as legend has it he used parts scavenged from a
"London Bus" to create his "long wheelbase" monster. The
engine was still chain driven
but four carburettors and
four distributors were added in place of the two
original Magneti Marelli magnetos as power was boosted
to 320 HP at 1,800 rpm. Stylish new aerodynamic bodywork
was crafted, including a slippery tail section, and the
whole machine weighed in at two tons.
In 1923 Eldridge
rolled the Mefistofele out at Brooklands (an
accomplished pilot Eldridge had already survived a plane
crash at Brooklands) and broke the 1/2 mile standing
start record posting world a time of 23.17 seconds (77.68 mph). It was the first step of a record breaking spree that
would follow. The
next year Eldridge and his team descended on Arpajon near Montlhéry
in France along with the factory Delage team. Eldridge
smashed the record but Delage quickly protested the Fiat
due to it not being fitted with a mandatory reverse gear
and then the French marque claimed the record. Eldridge
headed to Paris and had the car fitted with a device
that reputedly allowed it at least briefly to move in a
rearward direction, and on 12 July 1924, the Mefistofele
burned up the long beaten earth track at Arpajon at the extraordinary
speed of 234.980 km/h (146.013 mph)
to snatch the world record. Legend has it that Eldridge
took the car to Paris and parked it over the road from
Delage's flagship showroom where their own V12 record
beater was being showcased. Records for 5 km and 10 km
would follow as the Mefistofele thundered its way into
the history books.
Avvocato Giovanni
Agnelli, the legendary former Fiat Group Chairman, purchased
the car from the heirs of Sir Eldridge in 1969 and now
this unique machine belongs to Fiat's historical
collection in Turin, taking its place in the museum, and
has been returned to perfect working order after a long
and laborious process of restoration.