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					Only formed 
					earlier this year, Italy's newest design house, Torino 
					Design, in following in a long standing Turinese tradition, 
					and they recently presented results of their first project: 
					Lui and Lei - two concept cars specially created for Chinese 
					carmaker Chery. The Torino Design company was created back 
					in March by Roberto Piatti and Giuliano Biasio, two former 
					directors of Stile Bertone, with a brief to work in the 
					areas of automotive and industrial design. Lui and Lei are expressions of new horizons in terms of 
						styling for Chery, marked by strong cuts to define 
						volumes and a clever use of complex surfaces. 
					 
					Chery Lui ("He" in English) is a sporty, dynamic SUV that 
						fully embodies the concepts of compactness, movement and 
						strength. Its imposing, aggressive volume is lightened optically 
						by heavily sculptured surfaces that link up the various 
						parts of the body. The side has a robust "shoulder" stretching along the 
						waist-line right up to the front wing and then veering 
						upwards to become the feature providing a link to the 
						bonnet. The clean cut of the shoulder that underscores 
						the glass surfaces and sculpting on the wings together 
						with the cut of the tail thrust the volume forward to 
						create considerable dynamism when viewed from the side. 
					 
					The front-end heavily emphasises the impression of size 
						and is surrounded by a complex C-shaped element that 
						integrates the large light units and air-intakes with a 
						floating graphic effect. The prominent feature of the 
					centre is the large Chery 
						logo, which again has a floating effect, in an oval 
						air-intake which is also the starting point for the 
						diverging grooves on the bonnet. The mirrors are an innovative feature in terms of 
						industrial design as they are the result of a technical 
						study aimed at making them more functional. A device has 
						been added to the front of this component that can 
						project a beam of light, while there is also a small 
						camera mounted on the back. 
					 
					The second concept is called Lei ("She" in English) 
					and is a youthful, sporty, compact coupé. The aim of the design was to express a strong idea of 
					innovation and a break with more classical styling cues 
					thanks to a new way of interpreting complex surfaces 
					together with clean-cut lines that give it a unique 
					personality. The front view has been designed around the 
					Chery logo, 
					which also marks the starting point for the lines that 
					surround the lights, the folds in the bonnet and the large wings. 
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							The high, muscular rear-end 
							of Chery Lei underlines the concepts of 
					strength and power right where the faceted surfaces surround 
					the rear light units.  | 
						 
						
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							Chery Lui is a sporty, dynamic SUV that 
						fully embodies the concepts of compactness, movement and strength. Its imposing, aggressive volume is lightened optically 
						by heavily sculptured surfaces that link up the various 
						parts of the body.  | 
						 
						
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							The side of the Chery Lui has a robust "shoulder" 
							stretching along the waist-line right up to the 
							front wing and then veering upwards to become the 
							feature providing a link to the bonnet.  | 
						 
						
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					The cut of the seat for the butterfly windscreen wiper is 
					the element that gives the bonnet a highly original upper 
					profile. Starting from the front-end the side is marked by a surface 
					sloping along the waist-line running up to a very graphic 
					cut at the tail-end. The side glass surface link up to the windscreen and rear 
					window; optically the uprights seem to join to the lower 
					body without touching it, creating a new floating dome 
					effect that highlights the volume giving it a new sporting 
					dynamism. 
					 
					The high, muscular rear-end underlines the concepts of 
					strength and power right where the faceted surfaces surround 
					the rear light units. For the very first time functional features become elements 
					of style: the logo itself is the starting point for all 
					lines of the design while the mirrors cut through the air. 
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